Mildred Holland’s Seven-year Task

IMG_3824Mildred Holland was an unusual and determined woman. Not content with  being merely the new rector’s wife at St Mary’s, the parish church at Huntingfield in northeast Suffolk, Mildred took it on herself to singlehandedly repaint the ceiling of the church’s hammerbeam roof. This enormous labour took seven whole years between 1859 and 1866, a period in which spent she much of her time on her back atop scaffolding wielding a paint brush. First she painted the chancel, then the nave. A novice to church painting, Mildred was given some advice by E L Blackburne FSA, an expert on medieval decoration, but other than this and the help she received from workmen erecting the scaffolding she had no assistance whatsoever. Naturally, such arduous toil took its toll and Mildred died in 1878, a relatively young woman, not so many years after completing her task.

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There may be those who will find the roof decoration here far too bright for their taste –  the colours are brilliant and vibrant, the overall affect almost psychedelic. But if you have  a plentiful supply of pound coins  – there is a cash-hungry slot for inserting coins to supply short-lived electrical illumination – you can see for yourself the sort of church decoration that might have held illiterate medieval peasants in awe. True, Mildred’s work was a Victorian makeover but it was probably quite faithful to the original paint job – the bling of medieval church decoration was often far more garish than many of us imagine it to be.

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To find the church you must first venture down winding narrow lanes southeast of Halesworth in Suffolk, a modest adventure in its own right. There is a monument to Mildred and her husband in the churchyard close to the gate. The dedicated font cover, a sort of internal church steeple, is rather impressive too.

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St Mary’s, Huntingfield and the story of Mildred Holland makes an appearance in my new book Slow Travel Suffolk, a companion volume to the recently published Slow Travel Norfolk, although the book is by no means solely about churches, medieval decoration or single-minded determined women.

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