Easter, as well as its obvious Christian association, has strong connections with the giving and receiving of eggs in one form or another. In Britain, and in no doubt much of Western Europe and North America, we give chocolate eggs to children as a treat. With a bit a luck we might even receive one ourselves – a proprietary brand confection from a supermarket with packaging that often dwarfs the contents within resulting in disappointment.
In Eastern Europe, though, are Easter customs that reflect a far more personal approach. Egg-painting – that is the application of delicate geometric designs on real eggs – is a widespread tradition throughout the region. The tradition reaches its apogee of expression in the Hutsul region of western Ukraine where the creation of pysanky (painted eggs) is considered to be akin to religious art. The Hutsul practice is thought to be a pre-Christian, rites of spring tradition in origin, in which it was formerly believed that the continued creation of pysanky was necessary for the world to continue peacefully.
Nowhere has this tradition been more painstakingly documented than in the pysanky museum in Kolomiya, which has a collection of around 10,000 painted eggs. Such is the enthusiasm for the craft that part of the museum itself – the central ‘yolk’ that contains the reception, gift shop and two circular pysanky galleries – actually takes the form of a painted egg.
nb: A longer feature on this quirky ovoid edifice appeared in hidden europe magazine back in 2008.